Laion Roberto
A Taste for Mojo. Review by Stacey Zering.
A Taste for Mojo. Review by Stacey Zering.
Oozing the authentic spirit of rock and roll, the LA-based combo, Dirty Honey, proved to be the real deal when they hit the stage recently at Orlando’s House of Blues.
600 miles. 18 hours. 10 cans of Monster. 3 tanks of gas. 2 Anthrax CDs. For Christopher Long there was 1 mission - to see the RockNRoll Chorus live in concert. Hard core. It’s how we roll.
Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
Singer/songwriter Lucky Bamba reflects on his musical origins as he releases a new single, “Let You Go.”
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
First-time author Brent Jensen delivers a lively and personal story of growing up in a small Canadian town during rock’s golden age of ’80s heavy metal.
They Might Be Giants are still a band and touring after nearly 30 years. Jeff Schweers submerged himself in their pop music flood.
Guns N’ Roses… well, sort of… arrive “fashionably” late to their first US show in over five years. Jen Cray is still trying to decide if Axl Rose can shoulder the legendary metal band on his own.
Slash [Deluxe Edition] (EMI). Review by Joe Frietze.
An Iranian refugee becomes the biggest band slut in England and North America.
Reimaginator. Review by Joe Frietze.
Tragically, The Knack’s career has come to a close with the passing of frontman/ songwriter/ guitarist Doug Fieger on Valentine’s Day 2010. Steve Stav remembers the man, resurrecting this interview conducted for Ink 19 a few days after Fieger’s 53rd birthday in 2005.
Take a trip back to Seattle’s musical heydey with Michael Lavine , who brings us all manner of visual treasure with Grunge.
By all accounts, Adelitas Way vocalist/songwriter Rick DeJesus should have become a statistic. Ink 19’s Elianne Halbersberg talks with the artist about how music – and VH1 – saved his life.
Strike Anywhere turns a room full of strangers into a family with their well-measured mix of melodic punk and angry politics.
Even if you’re not a child of the ’70s, sweep the comic books off your coffee table – Matthew Moyer thinks you should make room for New York Dolls: The Photographs of Bob Gruen.
Reno Divorce has called Denver home for over a decade, but their roots in the Orlando punk scene of the ’90s are not forgotten. Their recent Orlando gig is a homecoming for the band, their family, and friends, and for long-time fan, Jen Cray.
The fourth annual Taste of Chaos Tour brought its mini metalcore festival indoors for the Orlando stop, where Jen Cray caught up with it.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR