Laion Roberto
A Taste for Mojo. Review by Stacey Zering.
A Taste for Mojo. Review by Stacey Zering.
Oozing the authentic spirit of rock and roll, the LA-based combo, Dirty Honey, proved to be the real deal when they hit the stage recently at Orlando’s House of Blues.
600 miles. 18 hours. 10 cans of Monster. 3 tanks of gas. 2 Anthrax CDs. For Christopher Long there was 1 mission - to see the RockNRoll Chorus live in concert. Hard core. It’s how we roll.
Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
Singer/songwriter Lucky Bamba reflects on his musical origins as he releases a new single, “Let You Go.”
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
First-time author Brent Jensen delivers a lively and personal story of growing up in a small Canadian town during rock’s golden age of ’80s heavy metal.
They Might Be Giants are still a band and touring after nearly 30 years. Jeff Schweers submerged himself in their pop music flood.
Guns N’ Roses… well, sort of… arrive “fashionably” late to their first US show in over five years. Jen Cray is still trying to decide if Axl Rose can shoulder the legendary metal band on his own.
Slash [Deluxe Edition] (EMI). Review by Joe Frietze.
An Iranian refugee becomes the biggest band slut in England and North America.
Reimaginator. Review by Joe Frietze.
Tragically, The Knack’s career has come to a close with the passing of frontman/ songwriter/ guitarist Doug Fieger on Valentine’s Day 2010. Steve Stav remembers the man, resurrecting this interview conducted for Ink 19 a few days after Fieger’s 53rd birthday in 2005.
Take a trip back to Seattle’s musical heydey with Michael Lavine , who brings us all manner of visual treasure with Grunge.
By all accounts, Adelitas Way vocalist/songwriter Rick DeJesus should have become a statistic. Ink 19’s Elianne Halbersberg talks with the artist about how music – and VH1 – saved his life.
Strike Anywhere turns a room full of strangers into a family with their well-measured mix of melodic punk and angry politics.
Even if you’re not a child of the ’70s, sweep the comic books off your coffee table – Matthew Moyer thinks you should make room for New York Dolls: The Photographs of Bob Gruen.
Reno Divorce has called Denver home for over a decade, but their roots in the Orlando punk scene of the ’90s are not forgotten. Their recent Orlando gig is a homecoming for the band, their family, and friends, and for long-time fan, Jen Cray.
The fourth annual Taste of Chaos Tour brought its mini metalcore festival indoors for the Orlando stop, where Jen Cray caught up with it.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.