Bob Mould
Blue Hearts (Merge). Review by Scott Adams.
Blue Hearts (Merge). Review by Scott Adams.
Tonight’s No Good for Me (6131 Records). Review by Scott Adams.
Alphabetland (Fat Possum). Review by Bob Pomeroy.
Undertow (Indivisible Music). Review by Bob Pomeroy.
Savage Young Du (Numero Group). Review by Scott Adams.
Time Bomb (Twin/Tone). Review by Scott Adams.
Copper Blue/Beaster EP & File Under: Easy Listening Reissues (Merge). Review by Eric J. Iannelli.
See a Little Light: The Trail of Rage and Melody tells Bob Mould’s entire story – from his abusive childhood to his coming out as a gay man, filled with details and anecdotes from his 50-plus years.
Medicine Show (Water ). Review by James Mann.
The Bright Orange Years (Merge Records). Review by Scott Adams.
Living In The Future (Dirtnap Records). Review by Carl F Gauze.
Whatever’s Got You Down (Hopeless Records). Review by Carl F Gauze.
Nihilism is Nothing to Worry About (Palentine). Review by Carl F Gauze.
Successful Attempts at Failure (Sinister Muse). Review by Kyrby Raine.
Blowoff (Full Frequency). Review by Ben Varkentine.
Separation Sunday (Frenchkiss Records). Review by Terry Eagan.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
Human Amusement at Hourly Rates (Matador). Review by Stein Haukland.
The Party’s Over (Double Zero Records). Review by Daniel Mitchell.
Rufio EP (Nitro Records). Review by Daniel Mitchell.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.