Rubblebucket
Earth Worship (Independent). Review by Carl F. Gauze.
Earth Worship (Independent). Review by Carl F. Gauze.
Pathological (Independent). Review by Christopher Long.
A Down East idyll of fire watching, light houses and Japanese industrialists in search of enlightenment.
Outside (Independent). Review by Michelle Wilson.
Mourning Birds EP (Independent). Review by Carl F Gauze.
Country Singles (Independent). Review by Carl F Gauze.
Latitudes (Independent). Review by Carl F Gauze.
Elevator (EP) (Independent). Review by Carl F Gauze.
Brendan Toller’s documentary mixes interviews and animation to explain the death of the independent record store. Scott Adams comments on the eulogy.
Jeffrey Brown draws his life in very small panels.
Bruce Phillips goes all goony over this new collection of Batton Lash’s pioneering creepy/funny comic series.
Call me a dork if you must, but I can’t wait to ogle Wayne Coyne’s backyard space ship and get infected with the alien spirit of Christmas. Carl F Gauze considers Christmas on Mars required watching for the 12-sided dice crowd.
Darnell Shacklebee relives the ups and downs of his life when all his former therapists arrive at his coffee shop. Carl F Gauze looks past perhaps the worst film packaging ever and finds much to enjoy in this homemade release.
EP (Self-Released). Review by Jen Cray.
Reject On Impact. Review by Jen Cray.
Royal Street Inn. Review by Andrew Ellis.
A brand new column just for you! Follow Gregory Schaeffer and his lil’ film from Japan to Hollywood to madness, and all points in between! Should be quite a ride.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.