John Calvin Abney
Tourist (Black Mesa Records). Review by Jeremy Glazier.
Tourist (Black Mesa Records). Review by Jeremy Glazier.
From Within Marin (Silver Arrow Records). Review by James Mann.
A few our editor saved from falling thru the cracks of 2017.
Parallelogram (Three Lobed Recordings). Review by James Mann.
Complicated Game (Complicated Game Records). Review by James Mann.
Country Funk II: 1967-1974 (Light In The Attic Records). Review by James Mann.
Old Sock (Surfdog Records / Bushbranch). Review by Carl F Gauze.
Leave the Light On (Mighty Albert/Signature Sounds). Review by Sean Slone.
Invisible Man (Full Light). Review by David Whited.
To Tulsa and Back (Sanctuary). Review by Sean Slone.
J.J. Cale,To Tulsa and Back,Sanctuary,Sean Slone
Midnight Pumpkin (TMG/Antones). Review by Hal Horowitz.
Texoma (Bohemia Beat). Review by David Whited.
The Very Best of J.J. Cale (Mercury/Chronicles). Review by David Whited
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.