“Saturday Sun” / “I Think They’re Leaving Me Behind” (Chrysalis Records). Review by Jeremy Glazier.

The Man Downstairs: Demos & Rarities (Tiny Ghost). Review by Julius C. Lacking.

Blood On Canvas (Bandcamp). Review by James Mann.

Black Eyed Dog (Anti Records). Review by Jeremy Glazier.

Shell of a Girl (Hen House Studios). Review by Bob Pomeroy.

Cancel The Sun (Thirty Tigers). Review by Bob Pomeroy.

High Water I (Eagle Rock Entertainment). Review by Jeremy Glazier.

Up To The Sky (Second Kiss). Review by Bob Pomeroy.

A Season Of Jenny. Review by Stacey Zering.

Aldous Harding (Flying Nun). Review by Bob Pomeroy.

Surface Noise (Kiam). Review by Bob Pomeroy.

Predatory Highlights (Don Giovanni Records). Review by Jen Cray.

Heartleap (DiCristina ). Review by James Mann.

Outside (Independent). Review by Michelle Wilson.

A Wasteland Companion (Merge Records). Review by Will Bernstein.

Through Low Light And Trees (Year 7). Review by Matthew Moyer.

Sondre Lerche soothes Orlando with his broad-palette approach to folk music – but don’t even think about catnapping during his set.

Live in London (Sony). Review by Jessica Whittington.

William Weikart , the mastermind behind the band Obscured by Clouds , is one literate and surprising person. Tim Wardyn unveils Weikart’s impressive cast of influences (including Chris Cornell and Baroque music), how ex-girlfriends contributed to one of the best songs on their album Psycheclectic, and how his bandmate Thee Slayer Hippy got his name.