- Music Reviews
- February 23, 2018
The Asylum Years (Omnivore Recordings). Review by James Mann.
An estimated crowd of 50,000 barbecued enthusiasts
converged on the infield of Daytona’s World-Famous International Speedway for a three-day celebration of “Great American Music.”
Forever and Then Some (Third Man Records). Review by Jen Cray.
Leslie Tom. Review by Carl F Gauze.
Jenny Lewis overcomes being the opening band, and sound and lighting issues, to overwhelm an Orlando audience, as Jen Cray knew she would.
A contemporary American songbook comes alive with the sophisticatedly sweet voice of jazz-country singer, Kat Edmonson, at New York’s City Winery.
The Blanco Sessions (Cow Island Music). Review by James Mann.
Complete Hit Singles A’s & B’s (Starday/ King / Real Gone Music). Review by Carl F Gauze.
Ten years of The Kills may not mean much to some, but to many — Jen Cray included — it means a decade’s worth of killer music that’s worth celebrating.
Jen Cray enjoys a time trip back to 1994 with everyone’s favorite college radio folk duo, Indigo Girls.
Modbilly (Vanguard Records). Review by Tim Wardyn.
My Maudlin Career (4AD). Review by Steve Stav.
Black Fortress of Opium. Review by Matthew Moyer.
Fire Songs (Vanguard Records). Review by Tim Wardyn.
This Is How I Found You (Rock Park/Addictive). Review by Matthew Moyer.
Kitty Rose: Live at the Ryman (Wild Affair Productions). Review by Carl F Gauze.
In Search of Cleo (Self-Released). Review by Jen Cray.
Tripping Maggie. Review by Kyrby Raine.
High Swan Dive (Self Released). Review by Aaron Shaul.
Carthage EP (Low Valley Music). Review by Nicholas Plante.
A Place Where I Know: 4-Track Songs 1992-2002 (Birdman). Review by Stein Haukland.