• Delain


    Lucidity (Sensory). Review by Carl F Gauze.

  • Someone Still Loves You Boris Yeltsin

    Someone Still Loves You Boris Yeltsin

    Let It Sway (Polyvinyl Record Co.). Review by Jeff Schweers.

  • The Walker Brothers: No Regrets

    The Walker Brothers: No Regrets

    Acolytes David Bowie and Jarvis Cocker may have a vested interest in maintaining the Walker mythos, but No Regrets is under no such obligation.

  • Larry Dvoskin

    Larry Dvoskin

    After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.

  • Dolly Parton

    Dolly Parton

    Dolly (Sony Legacy). Review by Matthew Moyer.

  • Pink Mountaintops

    Pink Mountaintops

    Outside Love (Jagjaguwar). Review by Matthew Moyer.

  • Glasvegas


    Scottish rockers Glasvegas rode into New York City on a wave of hype for two sold-out shows. With only one proper album to flaunt, the band nevertheless proved to Kiran Aditham that they can bring arena-sized sound to a mid-sized theater.

  • Pop Levi

    Pop Levi

    How do you dethrone the “King of Pop”? Let the current king disappear to Bahrain and get sued for $7 million by an Arab sheik; take your kaleidoscopic and playful songs to California’s Westlake Studios where Michael Jackson recorded Thriller; or simply be a boy named Pop. Pop Levi goes 2 of 3 and emerges with Never Never Love, an album shot through with the ghosts of Prince, MJ, and R. Kelly. S D Green and the musical shape-shifter talk the process of Pop.

  • Bubblegum Lemonade

    Bubblegum Lemonade

    Susan’s in the Sky EP (Matinee). Review by Aaron Shaul.

  • Chris Kenner

    Chris Kenner

    Land of 1000 Dances (Collector’s Choice Music). Review by Carl F Gauze.

  • Hell on Wheels

    Hell on Wheels

    The Odd Church (Hybris). Review by Aaron Shaul.

  • Montt Mardie

    Montt Mardie

    Drama (Hybris). Review by Aaron Shaul.

  • The Gore Gore Girls

    The Gore Gore Girls

    The Gore Gore Girls take the two best musical styles of Detroit, Motown and Garage Rock, and combine them with sexy, sultry attitude. Jen Cray reports from the white vinyl lounge.

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