2:54
May Terry squints and strains to see and hear 2:54 in a dim bog of lights and sound at the Mercury Lounge.
May Terry squints and strains to see and hear 2:54 in a dim bog of lights and sound at the Mercury Lounge.
Pop Tune (Good Charamel Records). Review by Carl F Gauze.
A riveting and rare glimpse of rock’s original glam-punk junkies, onstage and behind the scenes during their short-lived glory days.
Back to the Basement (Asian Man Records). Review by Carl F Gauze.
A lively biography of the founders of Punk Rock.
Circle the Wagons (Peaceville). Review by Matthew Moyer.
What happens when a lost classic gets found? In the hands of Black Tambourine, the musical world becomes a better place, turns out. Matthew Moyer corrals the members of the once-forgotten noisepop band to get the whole sordid take on their expanded Black Tambourine reissue.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
Mini-LP (Bright Antenna). Review by Carl F Gauze.
This collection of anecdotes and reveries of the infamous New York Dolls from their bassist, Arthur “Killer” Kane, has Carl F Gauze thinking better of getting the old band back together.
Matthew Moyer basks in the ramshackle glory of Sacred Harp singing, the oldest, and perhaps most punk, American religious music. This new documentary explains it all.
Returning for two sold-out shows in Orlando on their annual Green 17 Tour, Flogging Molly gave Carl Gauze a reason to chug another Guinness.
Even if you’re not a child of the ’70s, sweep the comic books off your coffee table – Matthew Moyer thinks you should make room for New York Dolls: The Photographs of Bob Gruen.
Matthew Moyer has his eye on a nice, new pair of leather suspenders – and he’s gonna wear them while watching Return of the Living Dead boys.
I hope I die before I get old? Not a chance, sez Carl F Gauze , after seeing a chorus of retirees give their all belting out numbers by Talking Heads, James Brown, and the Ramones.
P.I.N.S. (NDN Records). Review by Matthew Moyer.
Modern Mexico (Homespun Records/In Music We Trust). Review by Tim Wardyn.
What’s to like in a punkumentary about a long-lived icon? Audible sound during The Queers’ live sets would have been a good start, but Carl F Gauze finds solace in the interview and rare bits.
Start of the Century (The Lab). Review by Carl F Gauze.
Sardonic Wrath (The End Records ). Review by matthew moyer.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.