Rodney Crowell
The Chicago Sessions (New West Records). Review by Jeremy Glazier.
The Chicago Sessions (New West Records). Review by Jeremy Glazier.
Vincent Neil Emerson (La Honda Records/ Thirty Tigers). Review by Jeremy Glazier.
A Young Man’s Country. Review by James Mann.
Little Idols (Jordan Lehning/Tone Tree Music). Review by Jeremy Glazier.
I Like It Down Here (Daphne Records). Review by James Mann.
Guy (New West Records). Review by Jeremy Glazier.
Close Ties (New West Records). Review by James Mann.
Silverhill (Baldwin County Public Records). Review by James Mann.
Without Getting Killed or Caught: The Life and Music of Guy Clark is a remarkable look at one of the greats.
Lower Alabama: The Loxley Sessions (Royal Potato Family). Review by James Mann.
Sideshow Love (Daphne). Review by James Mann.
Tin Lily (Dualtone). Review by Sean Slone.
Walk Through Walls (Hightone). Review by Sean Slone.
This Is Americana (Ryko). Review by Sean Slone.
Farm Fresh Onions (Audium). Review by Sean Slone.
Live (New West). Review by Joe Frietze.
Home Away (Waxy Silver). Review by Sean Slone.
Room To Breathe (New West). Review by Joe Frietze.
A Tribute to Cajun Music (Vanguard). Review by Stein Haukland.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.