Kiwi Jr.
Cooler Returns (Sub Pop). Review by Julius C. Lacking.
Cooler Returns (Sub Pop). Review by Julius C. Lacking.
A Tuba to Cuba (Sub Pop). Review by Bob Pomeroy.
Double Negative (Sub Pop). Review by Julius C. Lacking.
Yuck (Fat Possum Records). Review by Jen Cray.
Sub Pop melodic noisemakers No Age kicked off a week-long anniversary celebration for one of Orlando’s best concert promoters at one of the town’s coolest little clubs. Jen Cray dropped in to pay her respects.
The Thermals are keeping the vitality of mid ’90s-styled indie rock alive and well.
In author Pete Blecha’s new examination of the gnarled roots of Seattle rock music, he posits that it all started with the slurred words “Louie Louie.” Scott Adams obviously approves.
Greg Prato’s new oral history of Seattle music (or “grunge” to you and me, bucko) strikes the right balance between bratty humor and pathos, thinks Matthew Moyer. And was the bassist from Guns N’ Roses really in the Fastbacks? Read on,,,
You think copyright infringement’s today’s hot topic? Tad’s been there and done that, and they’re so over it, they’re over it. Scott Adams drinks a nameless, fizzy soft drink in toast to Seattle’s grunge pioneers.
Glen Galloway is Soul Junk , who delivers the word backed by indie rock and hip-hop beats. Chris Catania talks to the man about Psalms, doing commercial music for BMW and faith.
The Woods (Sub Pop). Review by Aaron Shaul.
Wolf Parade (Sub Pop). Review by Aaron Shaul.
Tournament of Hearts (Sub Pop). Review by Aaron Shaul.
Our Endless Numbered Days (Sub Pop). Review by Terry Eagan.
Iron and Wine,Our Endless Numbered Days,Sub-Pop,Terry Eagan
Me First (Sub Pop). Review by Anton Warner.
The Elected,Me First,Sub Pop,Anton Warner
The Sea And The Rhythm (Sub Pop). Review by Matthew Moyer.
Shine a Light (Sub Pop). Review by Aaron Shaul.
Only With Laughter Can You Win (Sub Pop). Review by Stein Haukland.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.