Deserted (Bloodshot Records). Review by James Mann.
The World of Captain Beefheart (Knitting Factory Records). Review by Bob Pomeroy.
The Horror (Sacred Bones). Review by Matthew Moyer.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Ersatz G.B. (Cherry Red Records). Review by James Mann.
Seconds Late for the Brighton Line (ROIR). Review by Robert Sutton.
Your Future Our Clutter (Domino). Review by Matthew Moyer.
The Fallen resembles Akira Kurosawa’s Rashomon, trying to get at the story of The Fall by letting everyone tell their conflicting versions of the band’s true story. And by everyone, Matthew Moyer means EVERYONE.
Hippies (Matador). Review by Matthew Moyer.
Nude With Boots (Ipecac). Review by Matthew Moyer.
12 Crass Songs (Rough Trade ). Review by Michael Crown.
The Horrors are a skinny, gothly clad bunch living inside of a late night radio flashback to the alternative side of the 70’s and 80’s- and don’t we all want to slip into that dark little world once again?! Frontman Faris Badwan answered a few questions for newly converted fan Jen Cray.
Fall Heads Roll (Narnack). Review by Aaron Shaul.
The Real New Fall LP (Narnack). Review by Aaron Shaul.
Skin’s Getting Weird (Gold Standard Laboratories). Review by Terry Eagan.
Tacoma Ballet (Brain Floss). Review by Matt Cibula.
10 Songs (Perishable). Review by Stein Haukland.
All Eyes Open (Stick Figure). Review by Kiran Aditham.
Any Other City (DC / Baltimore 2012). Review by Terry Eagan.
Tales of Madness and Horror (Daemon). Review by Nicholas Vroman.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
Georgia alt rockers Collective Soul wowed the crowd including Michelle Wilson at the Busch Gardens Food & Wine Festival Series 2020 opener.