Evan and Jaron
Jaron Lowenstein is treading a familiar path from musician to actor. Andrew Ellis finds out what more about his impending movie career and what he’s been up to musically.
Jaron Lowenstein is treading a familiar path from musician to actor. Andrew Ellis finds out what more about his impending movie career and what he’s been up to musically.
Sorry - posted by James Mann on June 06, 2005 09:37
Tony, Tony, Tony, Tony, Tony - posted by Ben Varkentine on June 05, 2005 23:23
Shelf Life, Song Styles and memo to myself - posted by Ben Varkentine on June 05, 2005 18:55
Remembered passion - posted by Ben Varkentine on June 05, 2005 12:55
Charity begins at home - posted by Ben Varkentine on June 05, 2005 12:02
Brain Droppings - posted by Ben Varkentine on June 05, 2005 11:15
The few, the proud - posted by Ben Varkentine on June 05, 2005 11:06
Oh, well that explains it - posted by Ben Varkentine on June 04, 2005 11:58
I like it! - posted by Ben Varkentine on June 04, 2005 11:31
Maybe the Muslim critics of the last season of 24 were right - posted by Ben Varkentine on June 04, 2005 11:14
Recommended Reading II - posted by Ben Varkentine on June 04, 2005 10:52
Step aside, Sly – Russell Crowe gives another Oscar-caliber performance as he quietly takes on all comers as boxing legend Jim Braddock. Director Ron Howard’s latest hero of choice is no two-legged Seabiscuit or Apollo Creed-ducking Rocky; he’s just a man determined to feed his family at all costs. Our man at ringside, Steve Stav , tallies his scorecard on this week’s main event, Cinderella Man.
Recommended Reading… - posted by Ben Varkentine on June 03, 2005 12:15
I’ve run out of even slightly poetic ways to say this - posted by Ben Varkentine on June 03, 2005 12:02
Then again - posted by Ben Varkentine on June 03, 2005 11:05
Go, read till you feel full & then stop - posted by Ben Varkentine on June 03, 2005 10:53
The Crash Moderns (Maxim Artists). Review by Andrew Ellis.
Bone (Koch Records). Review by Sean Slone.
Kings of Funk (BBE). Review by Bill Campbell.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.