Freedom Debuts at #1
Journey’s latest album Freedom unsurprisingly debuts at #1 on a music chart. From Ink 19 News.
Journey’s latest album Freedom unsurprisingly debuts at #1 on a music chart. From Ink 19 News.
The One That Got Away (Lovely Records). Review by Carl F. Gauze.
B Yond - The Very Best Of (Keeping the Faith, BMG). Review by Carl F. Gauze.
He was the creative driver of the original incarnation of The Guess Who, and the originator of Bachman-Turner Overdrive. For Canadian rock fans, he is an icon, but for American fans, he’s just “oh yeah, that guy.”
A documentary about the legendary chart topping band, that tries to cram a lot of history into a short running time.
Marshmellow Overcoat. Review by Stacey Zering.
Reinvented. Review by Stacey Zering.
Elvis Costello opens for Steely Dan in a relaxing concert at the Tampa Fairgrounds.
Long Gone Daddy (Curb). Review by Carl F Gauze.
Carl F Gauze recommends this live footage of Cactus rocking out, especially if you missed them the first time around.
Legendary drummer Bill Bruford recounts his life with Yes, King Crimson, and the Progressive Rock movement.
Live at the Blues Warehouse (Varese Sarabande Records). Review by Matt Parish.
A Night of Criminals (Team Clermont). Review by P. McEver.
Not Enough Saturday Nights (Take Over Records). Review by Carl F Gauze.
WW1 (Merge). Review by Aaron Shaul.
Foghat Live 2 (Foghat). Review by Matt Parish.
Slow Ride (Inside Sounds). Review by Joe Frietze.
Citay (Important). Review by Aaron Shaul.
Eruption (Fuel 2000). Review by Carl F Gauze.
In Technicolor (Rockular Recordings). Review by Eric J. Iannelli.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.