- Screen Reviews
- May 25, 2018
Burlesque revives as an art form and is funnier than ever.
A few our editor saved from falling thru the cracks of 2017.
S/T (Bloodshot Records). Review by Bob Pomeroy.
Be gone 2016, be gone.
South Broadway Athletic Club (Bloodshot Records). Review by James Mann.
The Light (Thirty Tigers). Review by James Mann.
Worthy (Cherry Hill Records). Review by James Mann.
James Mann spent a sublime night with John Prine and Jason Isbell.
The inaugural, and hopefully annual, Orlando Calling Festival brings BIG acts to Central Florida for a major two-day music festival November 12-13.
In The Dark (ATO). Review by Joe Frietze.
Potato Hole (ANTI-Records). Review by Joe Frietze.
Nature’s Assembly Line (Orange Twin). Review by Aaron Shaul.
Blood of the Ram (Eleven Thirty). Review by Sean Slone.
Austin City Limits Music Festival 2003 Collection (New West Records). Review by Joe Frietze.
The Dirty South (New West Records). Review by Joe Frietze.
The high-octane fumes swirling from the Rock Powerhouse that is Supagroup are enough to give anyone a dancing fit. Gail Worley investigates the volatiles emanating from this Alaska-via-Louisiana conflagration.
Stompin’ Ground (Daemon). Review by Matt Cibula.
I Can Lick Any Sonofabitch In The House has been raising eyebrows this summer with their gutsy new disc and phenomenal live show. Frontman Mike Damron takes on Charlton Heston, Courtney Taylor, George Bush and much, much more in a no-punches-pulled interview with Steve Stav.
Decoration Day (New West). Review by Matt Cibula.
With the year drawing to a close, we thought it’d be appropriate for our staff to tell you what they thought the best stuff all year was. Features Editor James Mann kicks off with his choices for the Top 19 Albums of 2001.