- Archikulture Digest
- February 16, 2019
All the electricity is gone, but theater soldiers on.
Blue Room (Ruf). Review by Michelle Wilson.
Slings & Arrows (SBS Records). Review by James Mann.
Doyle Bramhall II gives Clearwater the blues, and Michelle Wilson loved it!
Hi Honey (Contender Records). Review by Jen Cray.
Sunday Morning Record (BOH Records). Review by James Mann.
In2ition (Sony Music Entertainment / Master Works). Review by Carl F Gauze.
Elton John has taken his Greatest Hits Tour on the road. What better time to finally catch the master songwriter, thought Jen Cray, and rightfully so.
Lady Gaga brings her Monster Ball Tour and the songs we all love to pretend we don’t love to a sold-out Orlando crowd. Even Jen Cray can’t help but dance.
Angles (RCA/Rough Trade). Review by Jen Cray.
Carl F Gauze is overwhelmed by Rob Roth’s glossy, artsy rock and roll promotion obscurities.
Courtney Love has resurrected Hole, in a way, and set out on a tour that has quickly become the must-see beautiful disaster of the summer. Jen Cray caught the uneven Orlando show.
Jen Cray was absorbed in Silversun Pickups’ sonic swirl of gorgeous distortion and dreamy pop as the band opened its summertime tour at Orlando’s Hard Rock Live.
Music For the Fire (Illegal Art). Review by Carl F Gauze.
Does that sound like the Beatles to you? Author Kristofer Engelhardt delivers an updated version of his exhaustive 1998 guide, detailing the individual Beatles‘ musical contributions to other artists’ recordings.
Pop music’s modern-day messiah, Butch Walker delivered a headliner performance despite his opening act billing.
Burn Up & Shine (Frankly Mills Record). Review by Carl F Gauze.
Don’t mind the cheap seats, people. When legendary performers like Elton John and Billy Joel take the stage together, memorable moments happen all around you. Christopher Long caught the opening date of the 2009 Face 2 Face Tour to soak up the sweet music.
Sycamore Meadows (Original Signal Recordings/Power Ballad). Review by Christopher Long.
Psycheclectic (In Music We Trust). Review by Tim Wardyn.