Parched staff writer Christopher Long reveals the album “six-pack” that quenched his thirst best in 2022.

The Future Bites (Caroline International). Review by James Mann.

20th Century in 100 Songs (Louisiana Red Hot Records). Review by Carl F. Gauze.

Fine Line (Columbia Records). Review by Christopher Long.

A Nubian princess captured by the Egyptian falls in love with her captor, and then things spiral into musical theater.

Campers freak out when a murderer is on the loose and they have no cell phone reception.

A Nubian princess captured by the Egyptian falls in love with her captor, and then things spiral into musical theater.

Julius C Lacking has an evening of reflection at Red Rocks with some ’80s memories.

Blood (Fuzze-Flex Records). Review by Michelle Wilson.

Texas Piano Man (New West Records). Review by Jeremy Glazier.

Blue Room (Ruf). Review by Michelle Wilson.

Slings & Arrows (SBS Records). Review by James Mann.

Doyle Bramhall II gives Clearwater the blues, and Michelle Wilson loved it!

Hi Honey (Contender Records). Review by Jen Cray.

Sunday Morning Record (BOH Records). Review by James Mann.

In2ition (Sony Music Entertainment / Master Works). Review by Carl F Gauze.

Elton John has taken his Greatest Hits Tour on the road. What better time to finally catch the master songwriter, thought Jen Cray , and rightfully so.

Lady Gaga brings her Monster Ball Tour and the songs we all love to pretend we don’t love to a sold-out Orlando crowd. Even Jen Cray can’t help but dance.

Angles (RCA/Rough Trade). Review by Jen Cray.

Carl F Gauze is overwhelmed by Rob Roth’s glossy, artsy rock and roll promotion obscurities.