Bad Books
III(Loma Vista). Review by Arianna Davis.
III(Loma Vista). Review by Arianna Davis.
Lana Del Ray gave the capacity crowd in DC all they came for and more on a frigid night. Rick Harris was there to witness.
Outside (Independent). Review by Michelle Wilson.
Turn Out the Light, Turn on the Stereo. Review by Michelle Wilson.
Two of pop music’s most prolific singer/songwriters came together for one night to delight and dazzle their longtime Orlando fans, Michelle Wilson among them.
Steve Stav interviews director Gary Weis about one of Saturday Night Live’s most poignant moments, and discusses John Belushi, Brian Wilson, George Harrison, and The Rutles along the way.
Jen Cray and a horde of bodies mosh to Frank Turner’s odes to life, love, and music at his headlining Orlando show – finally.
Gentry Bronson. Review by Robert Sutton.
Tomorrow Is Alright (Fat Possum). Review by Jen Cray.
Homemade Ship (K Records). Review by Matthew Moyer.
All The Colors (Subtitled Audio). Review by Carl F Gauze.
Replica Sun Machine (Wall of Sound). Review by Bob Pomeroy.
War Elephant (Partisan). Review by Carl F Gauze.
Phosphorescent bathed Jacksonville in a pool of saturated country rock, fairly drenching Matthew Moyer in the glory.
The Sky Below (BuddhaLand Music). Review by Andrew Ellis.
A Little Mess/The Dance EP (Hybris). Review by Aaron Shaul.
In Our Nature (Mute). Review by Jen Cray.
You don’t have to be a hippie in flip flops to enjoy a good folk rock performance, as Jen Cray discovered when heading downtown to see songwriter Joshua Radin.
Syd Matters (V2 Records). Review by Sean Slone.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.