Invitation (Kill Rock Stars). Review by Bob Pomeroy.
Little Deaths (Fraternity As Vanity). Review by Jen Cray.
Super Me (Kill Rock Stars). Review by Jen Cray.
We Are Nots (Goner). Review by Jen Cray.
May Terry ponders growing beyond riot-grrlism as the Corin Tucker Band plays The Mercury Lounge in New York City.
May Terry heads to Prospect Park for a musical speed date with Wild Flag that leaves the taste of six degrees of Riot Grrl in her mouth.
Mirror Traffic (Matador). Review by Eli Didier.
Forget What You Came For (Vigilante/Adamant). Review by Carl F Gauze.
Ted Leo & The Pharmacists wet an Orlando stage with the sweat of their high energy performance, but opening band Screaming Females were just as impressive for Jen Cray.
Encores at tiny punk rock shows?! They’re rare, but Jen Cray and a whole bunch of hungry fans dug this one.
American Gong (Kill Rock Stars). Review by Rose Petralia.
Real Emotional Trash (Matador). Review by Rose Petralia.
The Secret Life (Kill Rock Stars). Review by Jen Cray.
Lose All Time (Paper Bag). Review by Jen Cray.
Revenge of the Killer Slits (S.A.F.). Review by Aaron Shaul.
Forbi Fabriken (Novoton). Review by Aaron Shaul.
The Shapes We Make (Kill Rock Stars). Review by Aaron Shaul.
Saw The Light (Elicit/Majestic). Review by Jen Cray.
The Applicators fill the void of estrogen heavy punk bands that seemed to have all but disappeared after the ’90s wave of riot grrrls faded out. Jen Cray called up Kristina (bass) and Erica (guitar) to talk about being an American band from Texas, and scientific experiments for cash.
Pretty Girls Make Graves, along with The Joggers and Giant Drag, give Orlando an early bird special. Jen Cray indulges.
Performance Art for the quarantined.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
