Jazz at Lincoln Center Orchestra with Wynton Marsalis
Rock Chalk Suite (Blue Engine ). Review by Bob Pomeroy.
Rock Chalk Suite (Blue Engine ). Review by Bob Pomeroy.
Vernal Equinox (Ndeya). Review by James Mann.
Ballad of the Runaway Girl (Bonsound). Review by Bob Pomeroy.
Sweet Crude’s tour ended abruptly at the Crowbar in Ybor City, Florida. The tour to drum up interest in their upcoming major label debut was cut short by the Covid-19 pandemic. Bob Pomeroy was at that show.
The Birds, They Taught Me. Review by Stacey Zering.
The Who’s legendary bassist comes to life in The Ox.
Wayback Machine (Electro-Fi records). Review by Carl F. Gauze.
Local Honey (Lesser Known Records). Review by Andrew Ellis.
Sam Doores (New West Records). Review by James Mann.
There Is Hope. Review by Stacey Zering.
Live in NYC (Deko Music). Review by Scott Adams.
Devyn Rush talks her influences and style and her new EP with Stacey Zering.
Who knows what lurks in that house on the hill?
From Within Marin (Silver Arrow Records). Review by James Mann.
Cloudborn (Edgewater Records). Review by Bob Pomeroy.
Classics of the silent age are reborn in a new collection.
Forty-Five Degrees: Bushfire Charity Flash Record. Review by Bob Pomeroy.
Sin Parar. Review by Bob Pomeroy.
Jose Ramon Larraz’s slasher classic looks sharp in this new Blu-ray.
Taking the World by Storm (APO Records). Review by Carl F. Gauze
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.