Marvelous 3
IV (Marvelous 3). Review by Christopher Long.
IV (Marvelous 3). Review by Christopher Long.
Sleepwalkers (Island Records). Review by Andrew Ellis.
Where does the time go? Contributing writer Christopher Long reflects on his first decade with Ink 19.
Kicking off his current Stay Gold tour, pop music “golden boy,” Butch Walker returned to Orlando for yet another sold-out performance at The Social. Christopher Long was there.
Stay Gold (Dangerbird Records). Review by Andrew Ellis.
Painkillers (Island). Review by Jen Cray.
Afraid of Ghosts (Dangerbird Records). Review by Christopher Long.
Holly Grove. Review by James Mann.
Pop music’s modern-day messiah, Butch Walker delivered a headliner performance despite his opening act billing.
Orlando, Florida’s Megaphone wraps up an amazing year with a high energy hometown show.
The salacious details of pop messiah Butch Walker’s recent sold-out Orlando concert, as told by willing follower Christopher Long.
Sycamore Meadows (Original Signal Recordings/Power Ballad). Review by Christopher Long.
The Great Burrito Extortion Case (Jive). Review by Andrew Ellis.
Gold Medal (Atlantic Records). Review by Andrew Ellis.
What’s the difference between young bands and old bands, and why would you want to be one and not the other? Lynn Wallace talks to Allister and finds out.
Bright Idea (Self-released). Review by Andrew Ellis.
Letters (Epic Records). Review by Tim Wardyn.
Tomorrow (RCA). Review by James Mann.
From Ink 19 ad rep to the Marvelous 3 to a career as a solo artist, songwriter, and producer, it’s been an interesting journey for Butch Walker, and he discusses it all in a candid interview with Gail Worley.
Did you know that back in the day, the Marvelous 3’s Butch Walker was an ad rep for Ink 19? It’s true! But now he’s the frontman for the popular Atlanta-based rockers, and is sharing his philosophy on rock n’ roll in the Information Age with Andrea Thompson.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.