Dawn Riding
You’re Still Here (The Long Road Society and Speakeasy Studios SF). Review by Carl F. Gauze.
You’re Still Here (The Long Road Society and Speakeasy Studios SF). Review by Carl F. Gauze.
Looking at the Sea. Review by Stacey Zering.
Hiraeth (Destiny Records ). Review by Stacey Zering.
Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.
Hey, Don Rey!. Review by Stacey Zering.
Armageddon: End of The Beginning (Frog Juice Production). Review by Carl F Gauze.
Aldous Harding (Flying Nun). Review by Bob Pomeroy.
Anti-Hero (I’m Single Records). Review by Carl F Gauze.
UK2015 Face The Music Tour (Cattle Track Road Records). Review by Carl F Gauze.
Still (Fantasy). Review by Bob Pomeroy.
Red Light District (Ultradose). Review by Carl F Gauze.
Maxed Out on Distractions (Lolipop Records/Burger Records). Review by Carl F Gauze.
St. George’s Day Sacrifice - Live in Manchester (UDR Music). Review by Joe Frietze.
Charlie Greene. Review by Carf F Gauze.
Guitars have become quite affordable lately… and supremely boring. Ian Koss discovers a new alternative.
When it comes to amplifiers, Yamaha’s THR10 is an odd beast. Kurt Channing attempts to find its taxonomy.
Want to Give (Cool Clear Water Records). Review by Carl F Gauze.
It’s tough being Richard Thompson. Luckily he decides to disregard the past and stay firmly rooted in the now with a sparkling set of new songs.
Public Stain (Jagjaguwar). Review by Matthew Moyer.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.