Cage the Elephant
Unpeeled (RCA). Review by Christopher Long.
Unpeeled (RCA). Review by Christopher Long.
Where does the time go? Contributing writer Christopher Long reflects on his first decade with Ink 19.
Pretending and Ending. Review by Carl F Gauze.
2011 Grammy Nominees (Columbia Records). Review by Tim Wardyn.
With the metamorphosis of Brian Fallon from shy guy to confident frontman, The Gaslight Anthem are poised to follow in their hero’s footsteps. Jen Cray observed the band’s ascent at a recent Orlando show.
In The Dark (ATO). Review by Joe Frietze.
Juliette Lewis jettisons the Licks for a new bid at solo stardom. Jen Cray sees how she handles the spotlight all to herself.
The Avett Brothers don’t just appeal to hippies anymore. Their recent Orlando show showcased a genre-defying band with talent beyond their numbers. Jen Cray is a newly born fan.
Kings of Leon are well on their way to dominating the rock world here in their own country. Jen Cray caught their subtle, but satisfying, show in Orlando recently.
First-time author and rock-concert veteran Steve Weinberger has written perhaps the funniest overview of the mosh-pit population ever. Like a mad scientist, Weinberger categorizes and analyzes every species of concertgoer in No Air Guitar Allowed, painting them with deft satirical strokes and a surprisingly empathetic eye. Ink 19 and Weinberger discuss how he spent years of his life illustrating the differences between KISS and indie-rock fans.
Only By The Night (RCA). Review by Christopher Long.
Interpol may not be the most exciting live band on the planet, but Jen Cray is hooked on their music deeply enough to keep going back for more.
Golden Daze (PRC). Review by Jen Cray.
Not rain, nor the humid Florida summer night air could keep Jen Cray away from checking out former D Generation vocalist Jesse Malin’s show as part of the Death & Taxes tour.
Though this festival built its reputation as a lovefest for jambands and hippies, Bonnaroo in 2007 opened its arms up to more modern rock bands, bringing in a whole new audience. One new convert was Jen Cray , whose weekend in the mountains of Tennessee is not one she’s soon to forget.
Because Of The Times (RCA). Review by Jen Cray.
Between Earth & Sky (EMI/Rethink). Review by Jen Cray.
Living Things are a rock band from St. Louis who are bound and determined to remind music fans that rock ‘n’ roll is supposed to be dirty. John Hood explains their live show, as Jen Cray shows you the proof.
American Minor (Jive Records). Review by Jen Cray.
Nashville’s Kings of Leon may be suffering from tour fatigue, but you’d never know it by hearing them play. Jen Cray struggles past a migraine to pinpoint what went wrong.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.