Soul Asylum
Slowly but Shirley (Blue Elan). Review by Peter Lindblad.
Slowly but Shirley (Blue Elan). Review by Peter Lindblad.
Waiting For a Sign (Dangerbird Records). Review by Peter Lindblad.
In the news today: The Nearly Deads, The Northern Light, Eitan Noyze, Hornography, Talking Heads, Stop Making Sense, MXPX, From a Second Story Window, Jason Isbell, Fast Car, Tracy Chapman, Luke Combs, Best covers, Nick Cave, Tupac Shakur, Michael McDonald, DJ Seinfeld & Confidence Man, Ben Lee, Georgia Man, The Replacements, Cyndi Lauper, Knife Bride, Yungblud, Lil Uzi Vert
Let’s leave 2020 in our rearview, shall we?
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
See You in Miami (Y&T). Review by Bob Pomeroy.
Memphis Rent Party (Fat Possum Records). Review by James Mann.
Punk heroes unite to give a rowdy look at the classic L.A.M.F. album 40 years down the road.
Lydia Loveless bares her soul in this riveting film.
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
Dirty Pictures Pt. 1 (Contender Records). Review by Bob Pomeroy.
Blues & Ballads: A Folksinger’s Songbook: Volumes I & II (New West Records). Review by James Mann.
The Phage EP (Burger Records). Review by Jen Cray.
Water Walker (Rock Ridge Music). Review by James Mann.
Guns N’ Roses… well, sort of… arrive “fashionably” late to their first US show in over five years. Jen Cray is still trying to decide if Axl Rose can shoulder the legendary metal band on his own.
Divine Providence (Partisan Records). Review by James Mann.
Rock & Roll Submarine (UO Records). Review by Sean Slone.
The Black Dirt Sessions (Partisan Records). Review by Carl F Gauze.
The lineup isn’t as important as the experience when it comes to the Van’s Warped Tour. Jen Cray smeared on some sunblock and took in the annual summertime tradition when the traveling circus hit Orlando.
In The Dark (ATO). Review by Joe Frietze.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Stormchaser (Inebriated Music / Anthem Entertainment). Review by Christopher Long.
Let It Rock: Live from the San Francisco Civic Center 1980 (Liberation Hall). Review by Bob Pomeroy.