Dave Hause
Drive It Like It’s Stolen (Blood Harmony). Review by Andrew Ellis.
Drive It Like It’s Stolen (Blood Harmony). Review by Andrew Ellis.
There Is So Much Here (Compass). Review by Andrew Ellis.
Let The Bloody Moon Rise (Nervous Kid Records). Review by Andrew Ellis.
Local Honey (Lesser Known Records). Review by Andrew Ellis.
Sunset Kids (Wicked Cool/The Orchard/Velvet Elk). Review by Andrew Ellis.
Via Satellite (Blue Elan Records). Review by Andrew Ellis.
Honey’s Fury (Kaigler’s Bottom Records). Review by Andrew Ellis.
First Snow (Lucky Hound Music). Review by Andrew Ellis.
Sheryl Crow plays the hits old and new on Live at the Capitol Theater.
Nature (Cooking Vinyl). Review by Andrew Ellis.
Soul’s Core Revisited (Soul Bird). Review by Andrew Ellis.
My American Dream (Thirty Tigers). Review by Andrew Ellis.
The Lonesome Hollow. Review by Andrew Ellis.
From a White Hotel (Jullian Records). Review by Andrew Ellis.
Feel This Good. Review by Andrew Ellis.
The ‘59 Sound Sessions (Sidewinder). Review by Andrew Ellis.
An intimate portrait of Steven Tyler as he embarks on a country-flavoured solo career.
Motel Bouquet. Review by Andrew Ellis.
Summer Gods Tour Live 2017. Review by Andrew Ellis.
Life Is a Flower…Life Is a Gun (Schoolkids Records). Review by Andrew Ellis.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.