Feels Like Home: A Song for the Sonoran Borderlands (Putumayo). Review by Bob Pomeroy.
Ghost Stories (Red House Records). Review by Christopher Long.
The man who started it all, Chris Hillman, recounts his time as a Byrd, a Burrito Brother, and more in this fascinating memoir. James Mann reviews.
Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.
I Like It Down Here (Daphne Records). Review by James Mann.
Guy (New West Records). Review by Jeremy Glazier.
Voices ( Appleseed Recordings). Review by James Mann.
Natural (Jackson Beach Records). Review by James Mann.
Close Ties (New West Records). Review by James Mann.
Mockingbird Soul (BDM Music). Review by James Mann.
Without Getting Killed or Caught: The Life and Music of Guy Clark is a remarkable look at one of the greats.
Kicking off his current Stay Gold tour, pop music “golden boy,” Butch Walker returned to Orlando for yet another sold-out performance at The Social. Christopher Long was there.
Strange Country (New West Records). Review by James Mann.
Buck ‘Em! The Music of Buck Owens (1955-1967) (Omnivore Recordings). Review by James Mann.
Willie Sugarcapps ( The Royal Potato Family). Review by James Mann.
Cannery Row (Bloodshot Records). Review by James Mann.
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
The Lion’s Roar (Wichita Recordings). Review by Tim Wardyn.
The Harrow & the Harvest (Acony Records). Review by Sean Slone.
Hard Bargain (Nonesuch Records). Review by James Mann.
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.