The Jacks
Remember You (Edgeout Records/UME). Review by Michelle Wilson.
Remember You (Edgeout Records/UME). Review by Michelle Wilson.
Dodge and Burn (Third Man Records). Review by Jen Cray.
Jack White gives his new hometown of Nashville an epic show that involved a surprise reunion of The Raconteurs and a duet with a country music legend. Jen Cray drove 10 hours to be there.
Jack White plays Jacksonville, FL for the first time ever and gives the sold-out audience, and Jen Cray, a night they won’t soon forget.
What Kind of World (Readymade). Review by Sean Slone.
Blunderbuss (Third Man Records). Review by Jen Cray.
The first ever Orlando Calling Festival set up camp on a picture-perfect Central Florida fall day. Jen Cray parked it on the lawn amid tens of thousands of music fans and absorbed.
After nearly a decade’s hiatus, Gavin Rossdale has relaunched BUSH, and a super sold-out show in Orlando lets Jen Cray know that she’s not the only one excited to see this band back together.
The inaugural, and hopefully annual, Orlando Calling Festival brings BIG acts to Central Florida for a major two-day music festival November 12-13.
Hello=Fire (Schnitzel Records). Review by Jen Cray.
It’s home run #3 for Jack White as The Dead Weather redefines normal expectations for a live show. Jen Cray witnessed a recent Orlando date and is still buzzing from the high of an unforgettable performance.
Ghosts (4-Never/ Triple Crown). Review by Jen Cray.
As music festivals spring up all over the country, Bonnaroo attempts to live up to its reputation as Rolling Stone Magazine’s “Best Festival.” Jen Cray fears that the heart has gone right out of it.
Consolers of the Lonely (Third Man/ Warner Brothers). Review by Jen Cray.
Little Amber Bottles (Original Signal). Review by Jen Cray.
Interpol may not be the most exciting live band on the planet, but Jen Cray is hooked on their music deeply enough to keep going back for more.
Icky Thump (Warner Brothers). Review by Jen Cray.
The Hold Steady are in part known for the copious amounts of alcohol they consume onstage during every performance. How much alcohol can they actually get through in an hour and change? Jen Cray was at their Orlando gig to find out.
Jack White silenced the death rattle of rock music with The White Stripes and has gone on to ensure the future of modern music with The Raconteurs. Was there ever any doubt that Jen Cray would be at their Orlando show?!
Classic Seventies Rock-inspired Wolfmother prove that Australia isn’t just about vegemite and koala bears. Jen Cray soaks in the sounds from down under.
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.