Tanya Donelly and the Parkington Sisters
Tanya Donelly and the Parkington Sisters (American Laundromat). Review by May Terry.
Tanya Donelly and the Parkington Sisters (American Laundromat). Review by May Terry.
Power (New West Records). Review by May Terry.
All At Once (Don Giovanni Records). Review by May Terry.
Lotta Sea Lice (Matador). Review by May Terry.
Honeyblood rocked with a great sound, close to perfect if it weren’t for the crappy sound mixing from Baby’s All Right.
May Terry witnessed the reaction to Donald Trump’s win in New York.
Playing hard rock wrapped with a sweet soulful voice, The Seratones rips through a great show at the Mercury Lounge in New York City.
Belly brought lot of grit and a touch of grace to the Bowery Ballroom in NYC.
Blackstar (Columbia Records). Review by May Terry.
Veruca Salt resoundingly showed they’re no passing ghost note by moving on from a turbulent past with an emphatically great performance at Webster Hall that wowed May Terry.
Eyes Wide, Tongue Tied. Review by May Terry.
Courtney Barnett might think she’s pedestrian at best, but her popularity racing ahead on overdrive with no signs of slowing down. May Terry was left to sit and think after the CB3’s musical pit-stop at Terminal 5.
Shonen Knife’s performance at NYC’s Le Poisson Rouge is a Pop-Rocks fizz of Jap-punk distortions and colorful kitsch. May Terry indulged in the Shonen Knife experience with sushi, Pocky, and some great wok-and-roll music.
Ms. Etheridge is all-out solo in Mount Pocono, Pennsylvania. May Terry forgoes the Mount Airy Casino slots and blackjack tables to rock out at the great summerstage performance.
Milk For Your Motors. Review by May Terry.
May Terry ups her batting average of good music events hits when she treks through the woods to see The Baseball Project at the living room concert venue, Live @ Drews.
May Terry battled the sweltering July heat in New York City, but that paled in comparison with the hot bands that performed at the 2014 Village Voice NYC 4Knots Festival.
An old 2003 Italian performance is pulled out of the music vaults for die-hard fans of the NYC folk songstress.
The Pixies raided Port Chester, NY on a big 2014 tour and May Terry was la-la lovin’ both old and new songs from an iconic band that dares to evolve.
May Terry enjoyed the Luscious Jackson magic hour of party grooving and bum shaking in a rare concert at New York City’s Webster Hall. Are you ready?
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.