Buddy Guy
Buddy Guy plays Hancher Auditorium for his Damn Right Farwell Tour
Buddy Guy plays Hancher Auditorium for his Damn Right Farwell Tour
Otis Spann Is The Blues / Lightnin’ in New York (Candid Records). Review by James Mann.
The Parlor (Cornelius Chapel/Music Maker Relief Foundation). Review by James Mann.
Jeremy Glazier talks to filmmaker Scott Rosenbaum about his documentary Sidemen: Long Road to Glory, the story of three obscure but legendary blues musicians.
Early Songs and Rarities (Concord Records). Review by Michelle Wilson.
Joe Bonamassa and his mighty blues ensemble rolled into Clearwater, Florida for two nights of contemporary blues at its finest. Michelle Wilson caught Evening One of this towering blues extravaganza.
Ann Arbor Blues Festival Vol. 1+2 (Third Man Records). Review by James Mann.
Sitting On Top of the Blues (Deep Rush Records/Thirty Tigers). Review by Bob Pomeroy.
Riverland (Red Beet Records). Review by Jeremy Glazier.
The Big Bad Blues (Concord Records). Review by Christopher Long.
Barry Goldberg reminisces about his lengthy career in the music biz during an interview with Michelle Wilson, a career that is still thriving.
Electric Mud (Third Man Records). Review by James Mann.
The birthplace of the blues is captured in the timeless photography of Panny Flautt Mayfield.
Black To Blues ( Mascot Label Group). Review by Michelle Wilson.
Trouble & Whiskey ( American Showplace Music). Review by Michelle Wilson.
Porcupine Meat (Rounder Records). Review by James Mann.
Chicken Heads: A 50-Year History of Bobby Rush ( Omnivore Recordings). Review by James Mann.
Live at Antones Vol. 1/Pinetop’s Boogie Woogie (New West Records). Review by James Mann.
Doyle Bramhall II flat tore it up in Melbourne, and Michelle Wilson was there!
Johnny Winter has passed. But his blues will never leave us. James Mann recalls the Texas guitarist.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR