- Archikulture Digest
- January 21, 2020
John Wesley Powell lost an arm in the war, but still runs the Colorado river from Wyoming to Nevada with an all-female cast.
May Terry ups her batting average of good music events hits when she treks through the woods to see The Baseball Project at the living room concert venue, Live @ Drews.
Comedown Machine (RCA). Review by Jen Cray.
Fade (Matador). Review by Eric J. Iannelli.
Almanac (Captured Tracks). Review by Eric J. Iannelli.
The Bears for Lunch. Review by Eric J. Iannelli.
Greatest Hits: Songs from the South Volumes 1 & 2 (Gawd Aggie Recordings/ Universal). Review by Tim Wardyn.
Damnesia (Epitaph). Review by Jen Cray.
Collapse Into Now (Warner Bros. Records). Review by Tim Wardyn.
Sub Pop melodic noisemakers No Age kicked off a week-long anniversary celebration for one of Orlando’s best concert promoters at one of the town’s coolest little clubs. Jen Cray dropped in to pay her respects.
Medicine Show (Water ). Review by James Mann.
Natalie Merchant’s return to the road after a seven-year holiday finds her in better form that ever, as Jen Cray can attest.
Lit from Within (Parliament of Trees). Review by Tim Wardyn.
In The Dark (ATO). Review by Joe Frietze.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
Jen Cray enjoys a time trip back to 1994 with everyone’s favorite college radio folk duo, Indigo Girls.
#1 Record/Radio City (Concord Records). Review by Carl F Gauze.
In an era of $100 tickets for has-been arena shows, twenty bucks doesn’t buy much entertainment. Or does it? Steve Stav found that his thin wallet went a long way at Seattle’s Showbox, in a night capped by Glasgow sensation Camera Obscura.
The Bright Orange Years (Merge Records). Review by Scott Adams.