Tommy Emmanuel
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Halloween Live 1979-1981 (Freddie Steady Sound Recordings). Review by James Mann.
I Just Don’t Know What To Do With Myself (Compass Records). Review by Joe Frietze.
In The Beginning…. Review by Stacey Zering.
This biopic follows Herb Alpert’s rise to the top of the music world, and his life time of continued success.
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
The Second Album (Wicked Cool Records). Review by Christopher Long.
The sad, rancorous end of The Beatles is compelling told in And In The End.
The Fifth Dimension lets Jeffrey Schweers travel up, up and away in a new Wax On!
Live at Goose Lake, August 8th, 1970 (Third Man Records). Review by Scott Adams.
It’s edgy and manic and insistent, and it’ll surely drive your lunatic friends to ask you who is making that racket. Make sure you tell them Clifffs is spelled with three Fs.
Linda Wolf brings the magic of the “Mad Dogs and Englishmen” back in Tribute: Cocker Power
Forever Man . Review by Stacey Zering.
The Bakersfield Sound (Bear Family Productions). Review by James Mann.
Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.
Misty Morning Dew. Review by Michelle Wilson.
A look back to that magic era of 1965 to 1967 when rock and roll discover folk music and redefined what rock and roll might be.
The Jacks(Edgeout Records) Review by Michelle Wilson.
Milk Money. Review by Stacey Zering.
The legacy of Southern Rock lives on through The Allman Betts Band. Jeremy Glazier catches a show in Iowa.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.