- Screen Reviews
- May 25, 2018
Burlesque revives as an art form and is funnier than ever.
Memphis Rent Party (Fat Possum Records). Review by James Mann.
Front Street Rebels (RAM). Review by Bob Pomeroy.
Give It Back To You (Concord Music Group). Review by James Mann.
Blues & Ballads: A Folksinger’s Songbook: Volumes I & II (New West Records). Review by James Mann.
Cayamo Sessions At Sea (New West Records). Review by James Mann.
Remembering When Cambodia Rocked (Dust to Digital). Review by Bob Pomeroy.
Live in 1967 (Forty Below Records). Review by James Mann.
He heard I Want to Hold Your Hand before George and Ringo did – and went on to become one of modern popular music’s genuine giants. Singer/guitarist/producer/manager Peter Asher discusses invading the States with Steve Stav.
Worthy (Cherry Hill Records). Review by James Mann.
Buck ‘Em! The Music of Buck Owens (1955-1967) (Omnivore Recordings). Review by James Mann.
The legendary REO Speedwagon joined forces with Cheap Trick’s Robin Zander to converge on Melbourne, FL’s King Center and deliver a true blue rock and roll spectacle of epic proportions.
Hyde Park Live (Promotone B.V.) Review by James Mann.
Rembrandt X (Records to Russia). Review by Julius Lacking.
The early life of country music’s renegade hero Gram Parsons is brought to life in Bob Kealing’s wonderful Calling Me Home.
Live at the Roseland Ballroom, NYC (Eagle Records). Review by Christopher Long.
Locked Down ( Nonesuch Records). Review by James Mann.
A riveting and rare glimpse of rock’s original glam-punk junkies, onstage and behind the scenes during their short-lived glory days.
Some Girls: Deluxe Edition (Universal Music Group). Review by Sean Slone.
Seeds We Sow (Mind Kit Records). Review by Sean Slone.