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Human Reaction (Big Ego Records). Review by Steven Garnett.
Human Reaction (Big Ego Records). Review by Steven Garnett.
Joe Bonamassa brings his blues-rock extravaganza to historic Red Rocks Amphitheatre in Morrison, Colorado, where Michelle Wilson is thrilled to review a bucket-list show.
Drive It Like It’s Stolen (Blood Harmony). Review by Andrew Ellis.
This week, Christopher Long has his local used record dealer on all fours, digging up a true treasure: a near-mint vinyl copy of Success Hasn’t Spoiled Me Yet, the 1982 pop-rock classic from Rick Springfield — for only $6.
Emotional Contracts (ATO). Review by Julius C. Lacking.
Lucinda Williams performs with her band Buick 6 at The Englert Theater in Iowa City, Iowa. Lifetime fan Jeremy Glazier gets inspired.
Electro Melodier (Thirty Tigers Records). Review by Misty Marcus.
There are many two-genre combos that will fit on Blitzen Trapper like a tailored suit, but my current favorite is “country psychedelia”.
Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.
Misty Morning Dew. Review by Michelle Wilson.
An FM station fights to keep is music cool while corporate wants more advertising. Corporate wins again.
A look back to that magic era of 1965 to 1967 when rock and roll discover folk music and redefined what rock and roll might be.
Sunset Kids (Wicked Cool/The Orchard/Velvet Elk). Review by Andrew Ellis.
Back Again (Mac Powell Records). Review by Christopher Long.
Down To The River (BMG). Review by Michelle Wilson.
No Good Deed (Pretty Good For A Girl Records). Review by Michelle Wilson.
Blood (Fuzze-Flex Records). Review by Michelle Wilson.
Reminders (Golden Twine Music). Review by Stacey Zering.
I Like It Down Here (Daphne Records). Review by James Mann.
Train (Semafore Music). Review by Stacey Zering.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).