- Screen Reviews
- March 4, 2021
A pair of Japanese takes on The Invisible Man make their first appearance in the U.S.
Painkillers (Island). Review by Jen Cray.
The Traveler (ATO Records). Review by Joe Frietze.
Anything’s Possible Review by Michelle Wilson.
Jenny Lewis overcomes being the opening band, and sound and lighting issues, to overwhelm an Orlando audience, as Jen Cray knew she would.
Turquoise (Ruf Records). Review by Michelle Wilson.
Blunderstone Rookery (Bread and Butter Music). Review by Andrew Ellis.
William McKeen’s collection of Florida stories sort of hits its mark.
Rootsy, blues-based rockers Grace Potter and the Nocturnals returned to their favorite tour destination — much to the delight of their adoring Orlando, Florida fans.
The early life of country music’s renegade hero Gram Parsons is brought to life in Bob Kealing’s wonderful Calling Me Home.
Tom Petty & the Heartbreakers sell out Orlando’s Amway Arena with the grace and ease of a well-seasoned band with nothing to prove. Jen Cray joins in with the masses on some memorable sing-alongs.
Sweetheart Radio Revolution, Etc.. Review by Robert Sutton.
A behind-the-scenes look at the making of Tom Petty and the Heartbreaker’s landmark 1979 smash record.
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Wreck Your Wheels (Lojinx). Review by Andrew Ellis.
African Elephants (Fat Wreck Chords). Review by Jen Cray.
Sycamore Meadows (Original Signal Recordings/Power Ballad). Review by Christopher Long.
Birds On Wires (Hey!LowSound Recordings). Review by Robert M. Sutton.