Scrap Metal
Scrap Metal (Riding Easy and Permanent Records). Review by Carl F. Gauze.
Scrap Metal (Riding Easy and Permanent Records). Review by Carl F. Gauze.
Brown Acid: The Thirteenth Trip (Riding Easy). Review by Scott Adams.
Brown Acid - The Tenth Trip (Riding Easy Records). Review by Carl F. Gauze.
Electronic Voyages: Early Moog Recordings 1964-1969 (Waveshaper Media). Review by Carl F. Gauze.
Memphis Rent Party (Fat Possum Records). Review by James Mann.
Bloodshot Records’ 13 Days of Xmas (Bloodshot Records). Review by James Mann.
“Sincerely, L. Cohen: A Live Celebration” (Potato Family Records). Review by Bob Pomeroy.
Aeronautic Vol. 1 (Aeronautic ). Review by Carl F Gauze.
First Class Rock Steady (17 North Parade, VP Records). Review by Generoso Fierro.
Money Maker (Studio One). Review by Bob Pomeroy.
Groove & Grind Rare Soul ‘63 - ‘73 (Rock Beat Records). Review by James Mann.
I (Heart) Real Deep House (Tronicsole). Review by Carl F Gauze.
1967 (Mint 400 Records). Review by Carl F Gauze.
Nonplace Soundtracks / Scenes 1-25 (Nonplace). Review by Carl F Gauze.
Country Funk II: 1967-1974 (Light In The Attic Records). Review by James Mann.
This Is Your Life: A Tribute to Ronnie James Dio (Rhino Records). Review by Christopher Long.
A Tribute to Nilsson Volume 1 (Royal Potato Family). Review by James Mann.
A Very Special Christmas: Icon (Universal Music). Review by Michelle Wilson.
The Organization of Pop: Music From the First Thirty Years of ZTT Records (ZTT Records ). Review by Carl F Gauze.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.