- Screen Reviews
- August 23, 2019
A dramatization of the 1953 Soviet Union’s “Doctors’ Plot.”
I Used to be Pretty (Yep Roc). Review by Bob Pomeroy.
The Smashing Pumpkins’ return to glory is weird but brilliant. Jen Cray basks in over three hours of nostalgia and artistry.
Fleetwood Mac (Reissue / Deluxe Box Edition) (Rhino Records / Warner Music Group). Review by Christopher Long.
Lindsey Buckingham / Christine McVie (Rhino). Review by Christopher Long.
Live in 1967 (Forty Below Records). Review by James Mann.
Anything’s Possible Review by Michelle Wilson.
Almanac (Captured Tracks). Review by Eric J. Iannelli.
Rock legend Lindsey Buckingham delivers the goods in front of a sold-out crowd that includes Christopher Long at Orlando’s premier concert venue.
Best Coast sells out The Social, but Jessica Whittington and one of the Bethanys squeeze in, stick thier hearts on their sleeves, and resist calling their exes.
Seeds We Sow (Mind Kit Records). Review by Sean Slone.
A behind-the-scenes look at the making of Tom Petty and the Heartbreaker’s landmark 1979 smash record.
We Walk this Road (Warner Brothers). Review by Christopher Long.
Let’s Build A Roof (K-Records). Review by Carl F Gauze.
Have Guitar, Will Travel (Roman Records). Review by Christopher Long.
Aerosmith‘s legendary co-founder, Joe Perry, delivered a set of gutsy, hard driving rock at Orlando’s House of Blues.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Infinite Light (JagJaguwar). Review by Matthew Moyer.