- Screen Reviews
- September 23, 2019
A thoughtful look into the life and music of one of the most famous saxophone players in popular music.
He was the creative driver of the original incarnation of The Guess Who, and the originator of Bachman-Turner Overdrive. For Canadian rock fans, he is an icon, but for American fans, he’s just “oh yeah, that guy.”
It was a night of songs and stories with Croz and friends.
TX Jelly (New West Records). Review by James Mann.
Clipper Ship (Three Lobed Recordings). Review by James Mann.
Midnight Highway (Provogue/Mascot Label Group). Review by Michelle Wilson.
2 (Reprise Records). Review by James Mann.
Travels (Hitchhike Records). Review by James Mann.
The Coming Tide (Bloodshot). Review by James Mann.
Living by the Days (Real Gone Music). Review by James Mann.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
McCartney and McCartney II (Reissued) (MPL communications). Review by Tim Wardyn.
Goodbye, Killer (Ashmont Records). Review by Sean Slone.
Connected (Larkio Music). Review by Matt Parish.
OK Go and opening acts The Booze and Earl Greyhound rock Firestone Live in Orlando.
Does that sound like the Beatles to you? Author Kristofer Engelhardt delivers an updated version of his exhaustive 1998 guide, detailing the individual Beatles‘ musical contributions to other artists’ recordings.
Outside Love (Jagjaguwar). Review by Matthew Moyer.
Matt Parish looks into the eyes of soul at a recent Leon Russell show.
Calling the World (Geffen). Review by Sean Slone.
Dewdrops (Livewire). Review by Aaron Shaul.
Tom Schulte delivers a healthy megadose of news and reviews in this month’s Outsight.