Black Horse Records issues a second definitively packaged volume of Joe Strummer’s musical career. Charles DJ Deppner reflects.
Jacob Slade. Review by Stacey Zering.
He was the creative driver of the original incarnation of The Guess Who, and the originator of Bachman-Turner Overdrive. For Canadian rock fans, he is an icon, but for American fans, he’s just “oh yeah, that guy.”
It was a night of songs and stories with Croz and friends.
TX Jelly (New West Records). Review by James Mann.
Clipper Ship (Three Lobed Recordings). Review by James Mann.
Midnight Highway (Provogue/Mascot Label Group). Review by Michelle Wilson.
2 (Reprise Records). Review by James Mann.
Travels (Hitchhike Records). Review by James Mann.
The Coming Tide (Bloodshot). Review by James Mann.
Living by the Days (Real Gone Music). Review by James Mann.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
McCartney and McCartney II (Reissued) (MPL communications). Review by Tim Wardyn.
Goodbye, Killer (Ashmont Records). Review by Sean Slone.
Connected (Larkio Music). Review by Matt Parish.
OK Go and opening acts The Booze and Earl Greyhound rock Firestone Live in Orlando.
Does that sound like the Beatles to you? Author Kristofer Engelhardt delivers an updated version of his exhaustive 1998 guide, detailing the individual Beatles’ musical contributions to other artists’ recordings.
Outside Love (Jagjaguwar). Review by Matthew Moyer.
Matt Parish looks into the eyes of soul at a recent Leon Russell show.
Calling the World (Geffen). Review by Sean Slone.
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.