Beach Rats
Rat Beat (Epitaph). Review by Scott Adams.
Rat Beat (Epitaph). Review by Scott Adams.
In/Out/In (Three Lobed Recordings). Review by Scott Adams.
Love, Death, and Photosynthesis is Bela Koe-Krompecher’s memoir of addiction, friendship, mental illness, and the music scene of early ’90s Ohio.
Plus 1 Athens: Show Flyers from a Legendary Scene reproduces over 150 Athens, Georgia band flyers in a beautifully designed book.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Brown Acid: The Thirteenth Trip (Riding Easy). Review by Scott Adams.
Over a ten-year period, punk guitar legend Tim Kerr and his wife Beth used thrift store cameras to document self-taught artists’ environments. Combined with portraits of the creators, Self Taught is a celebration of artistic spirit.
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
333 (In the Red). Review by Scott Adams.
Street Venom (Suicide Squeeze). Review by Scott Adams.
9th and Walnut (Epitaph). Review by Scott Adams.
The Crew (Trust Records). Review by Scott Adams.
Dirty Money. Review by Scott Adams.
Body of Work (1990-1995) (Don Giovanni ). Review by Scott Adams.
Documentary on the Washington, D.C. punk scene, with a focus on the earlier years.
(Lavasocks Records). Review by Scott Adams.
Blood Lemon. Review by Scott Adams.
Grecian Urn (Taxi Gauche Records). Review by Scott Adams.
Sacred Cement (Corpus). Review by Scott Adams.
iii (Flemish Eye). Review by Scott Adams.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.