Natalia M. King
Woman Mind of My Own (Dixiefrog Records). Review by Bob Pomeroy.
Woman Mind of My Own (Dixiefrog Records). Review by Bob Pomeroy.
Chickaboom! (Outside Music). Review by Bob Pomeroy.
Blue Eyed Soul (BMG Rights Management (UK) Ltd). Review by Jeremy Glazier.
Keep On (Concord Records). Review by James Mann.
Waiting — The Van Duren Story (Omnivore Recordings ). Review by James Mann.
Slings & Arrows (SBS Records). Review by James Mann.
Hot Tears (EP) (Innovative Leisure). Review by Phil Bailey.
Good For My Soul (Terraplane Records). Review by Bob Pomeroy.
Late Nights & Heartbreak (Record Kicks). Review by James Mann.
Charles Bradley flat tears it up at the House of Soul.
Loves You (Put Together). Review by James Mann.
Directly From My Heart (Specialty). Review by Scott Adams.
Roots Rock ‘N’ Roll (Royal Potato Family). Review by James Mann.
Country Funk II: 1967-1974 (Light In The Attic Records). Review by James Mann.
The South Side of Soul Street: The Minaret Soul Singles 1967-1976 (Omnivore Recordings). Review by James Mann.
Born Under a Bad Sign (Stax). Review by James Mann.
Get Up! (Stax Records). Review by James Mann.
I Like to Keep Myself in Pain (Anti). Review by James Mann.
I’ll Play the Blues for You (Stax). Review by James Mann.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.