Marty Stuart & His Fabulous Superlatives
Altitude (Snakefarm). Review by Jeremy Glazier.
Altitude (Snakefarm). Review by Jeremy Glazier.
James Mann chose a grand night to welcome live music back to Santa Fe with Marty Stuart and His Fabulous Superlatives.
Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.
The man who started it all, Chris Hillman, recounts his time as a Byrd, a Burrito Brother, and more in this fascinating memoir. James Mann reviews.
Got a Mountain to Climb (Sour Wine Records). Review by Stacey Zering.
To Everyone In All The World: A Celebration of Pete Seeger (Appleseed Productions). Review by Bob Pomeroy.
It was a night of songs and stories with Croz and friends.
Too Late To Turn Back Now! (New West Records). Review by James Mann.
The Asylum Years (Omnivore Recordings). Review by James Mann.
Fantastic Plastic (Severn Records). Review by James Mann.
Pre-Teenage Symphony (Omnivore Recordings ). Review by James Mann.
Strange Country (New West Records). Review by James Mann.
Kicked Out Of Eden (Saustex Media). Review by James Mann.
CSNY 1974 (CSNY Recordings, Rhino ). Review by James Mann.
Rembrandt X (Records to Russia). Review by Julius Lacking.
The early life of country music’s renegade hero Gram Parsons is brought to life in Bob Kealing’s wonderful Calling Me Home.
Singles (Bananastan). Review by James Mann.
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
Founding frontman Brent Scallions returns to the road with a re-vamped “Re-Fueled” line-up.
Shoulda Been Gold (Collectors’ Choice). Review by James Mann.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.