New Music Now 008: doubleVee
Join Ink 19 with Barb and Allan Vest for new music from Sydney, Australia band Bloods, Prey composer Sarah Schachner, and doubleVee’s own latest release, Treat Her Strangely. What was your first cassette tape, hmm?
Join Ink 19 with Barb and Allan Vest for new music from Sydney, Australia band Bloods, Prey composer Sarah Schachner, and doubleVee’s own latest release, Treat Her Strangely. What was your first cassette tape, hmm?
Episode 006 is a live review of new music by Aldous Harding, Suki Waterhouse, Destroyer, and Earth From The Moon. Catch it while it’s hot!
Andy Irvine/Paul Brady (Mulligan Records). Review by James Mann.
American Canyon. Review by Stacey Zering.
Humo. Review by Stacey Zering.
On a hot summer night, Bush plays to a sold out arena in Tampa, Fl, proving that there is still an audience for a high energy rock and roll show.
Renowned violinist Gregory Harrington unveils how he chose elegant covers on his new album Without You.
Without You (Estile Records) Review by Stacey Zering.
The Story of the Most Influential Radio Station in America
The Alarm came “marching on” through Orlando, and Michelle Wilson relived her 80s alternative heyday.
Dude, The Obscure (Normaltown Records). Review by James Mann.
Meeting My Shadow (Ruf Records). Review by Michelle Wilson.
La Migra. Review by Bob Pomeroy.
“No instruments. Just voices” – the New Jersey-based, RockNRoll Chorus, celebrated a milestone this summer, with a special 10th Anniversary U.S. concert tour.
Parallel Lives (Pure Noise). Review by Jen Cray.
Ryan Adams (Pax-Am). Review by James Mann.
This Is Lone Justice: The Vaught Tapes, 1983 (Omnivore Recordings). Review by James Mann.
A Very Special Christmas: Icon (Universal Music). Review by Michelle Wilson.
The ear-shattering beauty and wildly colorful spectacle of Muse overtakes Orlando, and Jen Cray.
Sex EP (Dirty Hit). Review by Jen Cray.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.