- Music Reviews
- January 21, 2022
Broken English (Nettwork Records). Review by James Mann.
Whispers And Sighs. Review by James Mann.
Let’s leave 2020 in our rearview, shall we?
False God (Fangbite Records). Review by Bob Pomeroy.
Tanya Donelly and the Parkington Sisters (American Laundromat). Review by May Terry.
Renowned violinist Gregory Harrington unveils how he chose elegant covers on his new album Without You.
Songs I Can’t Live Without (TallGirl Records). Review by James Mann.
Without You (Estile Records) Review by Stacey Zering.
The ’60s legends celebrate their friendship on a tour to promote Everybody Knows. Roi Tamkin was there.
Rifles & Rosary Beads (In The Black Records). Review by James Mann.
“Sincerely, L. Cohen: A Live Celebration” (Potato Family Records). Review by Bob Pomeroy.
Be gone 2016, be gone.
Naked EP. Review by Jen Cray.
Moon Mirage (Royal Oakie Tapes & Records). Review by James Mann.
Trouble Will Find Me (4AD). Review by Jen Cray.
Night (Sony Classical). Review by James Mann.
Concrete Blonde’s Johnette Napolitano is one of the most underrated female rock singers of the past 20 years, with a powerful voice that rips your heart out at will. May Terry saw the band and looks for the suture kit to restitch her chest.
Coexist (Young Turks). Review by Jen Cray.
Rufus Wainwright taps his shiny red boots and transports an Isreali crowd to another dimension, or so the transfixed Yifat Grizman figures.
A Wasteland Companion (Merge Records). Review by Will Bernstein.