From Within Marin (Silver Arrow Records). Review by James Mann.
Chickaboom! (Outside Music). Review by Bob Pomeroy.
Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.
Doug Kershaw took his Cajun music from the bayou to stardom, but it wasn’t an easy trip.
The Talbott Brothers are well worth seeking out, according to Jeremy Glazier.
Cash Cabin Sessions, Vol. 3 (Aimless Records). Review by James Mann.
Life (Y&T). Review by Bob Pomeroy.
An Article From Life: The Complete Recordings (Bear Family Productions). Review by James Mann.
To The Sunset (Silver Knife Records). Review by James Mann.
The ’59 Sound Sessions (Sidewinder). Review by Andrew Ellis.
40 years past the original, Heartworn Highways Revisited captures the next round of Outlaw country.
Let’s see how Dylan’s gospel songs sound when interpreted by other singers.
Co-founding B-52s singer / songwriter Cindy Wilson delivers an impressive and intimate Orlando club performance.
Ink 19 asked musician and artist Jon Langford about Trump, Brexit and how a punker from Wales came to love country music.
This Son Is a Stranger to You (Saustex Records). Review by James Mann.
South Texas Suite (Six Shooter Records, Inc.). Review by James Mann.
Spirit of the Century ( Omnivore Recordings). Review by James Mann.
Cabaret Showtime ( Bloodshot Records). Review by James Mann.
Rio en Medio Radio (WW Recordings). Review by James Mann.
The Loneliest Man I Ever Met (Avenue A Records/Thirty Tigers). Review by James Mann.
Performance Art for the quarantined.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
