- Staff Picks
- July 30, 2021
Live In Stuttgart 1975 (Mute). Review by Bob Pomeroy.
This week’s compendium of five carefully selected albums are all connected by a change encounter with Julius C. Lacking … maybe it was the tags, or perhaps the artwork, but the results are clear.
The 3 Way (Sundazed). Review by Julius C. Lacking.
Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.
Interview with L.A. indie rockers Fellow Robot.
Impossible. Review by Joe Frietze.
A Man Called Destruction (Omnivore Recordings). Review by James Mann.
Makes Me Sick (Hopeless Records). Review by Jen Cray.
Complete Third (Omnivore Recordings). Review by James Mann.
Grackle (Paper Cup). Review by Jen Cray.
Pythons (Warner Bros). Review by Jen Cray.
Comedown Machine (RCA). Review by Jen Cray.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
WWII (Dirtnap). Review by Jen Cray.
Bruno MacDonald aims for a paper wiki of rock history, showing the connections that casual fans might miss, in this interesting take on the history of rock ‘n’ roll.
Tomorrow Is Alright (Fat Possum). Review by Jen Cray.
Two-Way Family Favourites (Southern Domestic Recordings). Review by Sean Slone.
Angelic Swells (Slumberland). Review by Jen Cray.
Surfer Blood stole the headlining spot right out from under tour mates The Pains of Being Pure at Heart for a semi-hometown Orlando gig, but Jen Cray doesn’t think that they earned it.